As the Celebration of the Anniversary of the Dedication of the Mississippi River Tales Mural continues to approach, we want to give you a behind-the-scenes glimpse into what it was like getting this project off the ground and running. We chatted with local artist and original mural committee member, Don Greenwood, to learn more about that process.
"Back when the River Tales Mural planning committee was being formed, I got a call from Tim Blattner, the startup leader, asking if I would be interested in joining the group and helping bring this project to fruition. As the only artist in the mix, I was excited for the opportunity to share my insights because my input was going to be completely different than that of an engineer, a downtown stakeholder, a community member; I was looking at this as an opportunity to have a large-scale canvas that could serve as a community landmark for many years to come. As an artist, that’s exciting.
"Not long after planning started and we knew this project was going to get off the ground, I was asked to pull together an initial concept. What did I think it should look like? What was going to be meaningful for downtown and what would be representative of our community?
"The wall is so big and, at the time, almost looked like a prison wall, so I wanted to brighten it up. My initial sketch included four stone archways that served as windows to the river. What was on the other side of the wall is what would be depicted, with the addition of seasonal changes. One section would portray the river in the winter, one in the spring, one in the summer and one for fall. I took the idea to our committee and they were on board.
"Now that the initial design idea was fermenting, it was time to figure out who would be able to carry out this process. One person can’t do it alone; it takes a team. Our initial call for artists reaped in about 25 submissions. As a committee, we were able to initially par the list down to 17 seemingly qualified candidates. Years of research into each of these artists/companies styles, previous works and really figuring out if they would be a fit for this project, allowed us to narrow the selection field to three. These final groups were brought to Cape, each for three days, to experience our community, see the flood wall and the area they could be working in, and provide a final concept and estimate for the project.
"One company flew in two executives from New York; they brought their power team. However, neither of those individuals was an artist. So when we had questions specific to the design and how it could be carried out, they were unable to provide any answers. At that point, a red flag was raised. We weren’t comfortable going with a company whose artists we didn’t know and didn’t know if they were a good fit for our community. Group #2 came armed with an incredibly detailed, intricate design plan complete with etched marble, scroll work and fancy frills. While it seemed they produced fantastic work, it didn’t fit with our Southeast Missouri, heartland feel.
"The last artist to visit was Tom Melvin, from Chicago, Il. It was almost like something out of the movies when two characters meet and they just know they’ve found the one – we had that experience with Tom. His personality, style and vision for the mural were exactly what we were looking for. He understood where we’ve come from and what all it’s taken to get to where we were at that time.
"A few of us traveled to Chicago to learn more about him and his team. I stayed at Tom’s home while the other guys stayed with some of his friends; we almost felt like family. As we walked with him in their busy streets, locals would shout ‘Hey, Tom!’ and give him handshakes. There, in the windy city where we blended in with the rest of the hustle and bustle, Tom was well-known. He was experiencing in Chicago what we felt when we walked the streets of Cape Girardeau, where we knew our neighbors and ran into familiar faces quite frequently. Another link that he isn’t that different from us, he was relatable and personable.
"A collection of photographs lined the walls in one of his bathrooms. After closely examining them, I realized they were all images of Tom’s work; some were of him actually creating pieces. One really stuck out to me. Tom was hanging onto the edge of some scaffolding with one paintbrush in his mouth and another in his hand, working precariously to finish up a large piece. It was fantastic! After traveling around the city checking out Tom’s work and really getting to know him, our decision became more and more concrete that this was the right guy for the job.
"Upon settling on a contract, Tom took my initial concept and ran with it. He did a fantastic job of meticulously depicting our history and captured the essences of each time period so beautifully. The months he and his team spent creating in downtown were a true joy to experience.
"I love how great this mural turned out. It was a pleasure helping bring this to our community and I look forward to the many more years of joy it brings to Cape Girardeau."
To learn more about this project and to meet some of the original artists and planners, plan to attend the Mural Celebration sponsored by the Cape Girardeau Convention and Visitors Bureau and Old Town Cape, on Thursday, July 30, at 2pm in the parking lot at the corner of Water and Themis Streets. Help us celebrate this beautiful downtown landmark!
This post was co-written by Don Greenwood, guest blogger, and Christa Zickfield, Old Town Cape Project Manager.



